
Circle of Giacomo Caneva (Italian, 1813-1865)
Oxen with carts in background, 1850s
Coated salt print from a collodion negative
12.0 x 17.4 cm tipped onto original mount


Giacomo Caneva (Italian, 1813-1865)
Grotto of Neptune, Tivoli, circa 1850
Salt print from a paper negative
21.0 x 16.3 cm
Signed "G Caneva" in red crayon on verso

Giacomo Caneva (Italian, 1813-1865)
Cloître de la basilique Saint-Paul-hors-les-Murs, circa 1850
Salt print from a paper negative
20.2 x 27.1 cm mounted on 28.9 x 40.9 cm paper
Signed "G Caneva" in black crayon on verso. Titled erroneously "Cloitre de S. Jean de Latran" in pencil on mount.
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Circle of Giacomo Caneva (Italian, 1813-1865)
Reclining goat in Rome, 1850s
Albumen print from a collodion negative
13.3 x 21.3 cm
Provenance
Family of Edmond Lebel
The albumen print of Reclining goat in Rome, circle of Giacomo Caneva, 1850s, illustrates a threshold between the old and new in mid 19thcentury Rome. The goat’s resting place on the steps defies our idealistic vision of it wandering freely in its natural setting.
Inquire
Circle of Giacomo Caneva (Italian, 1813-1865)
Oxen with carts in background, 1850s
Coated salt print from a collodion negative
12.0 x 17.4 cm tipped onto original mount

Giacomo Caneva (Italian, 1813-1865)
Grotto of Neptune, Tivoli, circa 1850
Salt print from a paper negative
21.0 x 16.3 cm
Signed "G Caneva" in red crayon on verso

Giacomo Caneva (Italian, 1813-1865)
Cloître de la basilique Saint-Paul-hors-les-Murs, circa 1850
Salt print from a paper negative
20.2 x 27.1 cm mounted on 28.9 x 40.9 cm paper
Signed "G Caneva" in black crayon on verso. Titled erroneously "Cloitre de S. Jean de Latran" in pencil on mount.

Circle of Giacomo Caneva (Italian, 1813-1865)
Reclining goat in Rome, 1850s
Albumen print from a collodion negative
13.3 x 21.3 cm
Provenance
Family of Edmond Lebel
The albumen print of Reclining goat in Rome, circle of Giacomo Caneva, 1850s, illustrates a threshold between the old and new in mid 19thcentury Rome. The goat’s resting place on the steps defies our idealistic vision of it wandering freely in its natural setting.