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Exhibitions Artists News Gallery Search

Exhibitions Artists News Gallery Search

Pairings

January 20 - March 18, 2022

Installations Selected Works Press Release Artists Back

Slideshow Thumbnails

Ernst Heeger, 2 Photomicrographs of insect anatomy, 1860-1861, Hand colored salt prints from glass negatives, 20.3 x 13.2 cm, Dr. John Murray (Scottish, 1809-1898) Mosque of the Taj Mahal, 1864, Albumen print and its paper negative, waxed, with applied pigment, Negative 37.5 x 46.5 cm, print 35.7 x 44.9 cm

Louis-Auguste & Auguste-Rosalie Bisson (Bisson Frères) (French, 1814-1876 & 1826-1900) Miter of St. Louis, Bishop of Toulouse, 1850s, Albumen prints from collodion negatives, 34.3 x 24.1 cm; 34.3 x 24.2 cm

John Beasley Greene (American, born in France, 1832-1856) Two photographer's tents, Forest of Fontainebleau, 1852 Waxed paper negative together with Claudine Sudre's modern salt print, 23.8 x 31.2 cm

Charles Nègre (French, 1820-1880),“Pifferaro and Romani woman in Nègre's doorway, l'île Saint-Louis,” 1853-1854, Salt print from a collodion negative, together with a modern heliogravure from the original steel plate printed by Atelier de Saint-Prex, Switzerland, from André Jammes 1982 portfolio, 16.0 x 11.6 cm.

Ernst Heeger, 2 Photomicrographs of insect anatomy, 1860-1861, Hand colored salt prints from glass negatives, 20.3 x 13.2 cm, Dr. John Murray (Scottish, 1809-1898) Mosque of the Taj Mahal, 1864, Albumen print and its paper negative, waxed, with applied pigment, Negative 37.5 x 46.5 cm, print 35.7 x 44.9 cm

Louis-Auguste & Auguste-Rosalie Bisson (Bisson Frères) (French, 1814-1876 & 1826-1900) Miter of St. Louis, Bishop of Toulouse, 1850s, Albumen prints from collodion negatives, 34.3 x 24.1 cm; 34.3 x 24.2 cm

John Beasley Greene (American, born in France, 1832-1856) Two photographer's tents, Forest of Fontainebleau, 1852 Waxed paper negative together with Claudine Sudre's modern salt print, 23.8 x 31.2 cm

Charles Nègre (French, 1820-1880),“Pifferaro and Romani woman in Nègre's doorway, l'île Saint-Louis,” 1853-1854, Salt print from a collodion negative, together with a modern heliogravure from the original steel plate printed by Atelier de Saint-Prex, Switzerland, from André Jammes 1982 portfolio, 16.0 x 11.6 cm.

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